Neil Kristian Scharnick

Dr. 尼尔Scharnick (’99) is an 戏剧副教授 and serves as coordinator of Carthage’s acclaimed New Play Initiative, commissioning new work by award-winning playwrights and premiering them at Carthage. He also serves as 荣誉 Director for the college. Joining the 剧院 faculty at Carthage in 2003, 教授. 沙尼克获得了博士学位.D. 在剧院 & Drama at the University of Wisconsin-Madison, his M.A. 在剧院 from Northwestern University, and a B.A. in both 宗教 and Communication & 全球十大赌钱排行app的表演艺术.

He regularly teaches Play Reading & 分析 and the cycle of theatre history courses, in addition to creating and frequently leading the Ensemble & 实验表演课程. 教授. Scharnick directs one production each season, with past Carthage productions including Brian Friel’s “Translations,” Jean-Claude van Itallie’s “The Serpent,” Mohan Rakesh’s “One Day in the Season of Rain” (New Play Initiative), Sarah Ruhl’s “Dead Man’s Cell 电话,” Martin Maguire’s “A Clamour of Rooks” (New Play Initiative, premiered at Smock Alley in Dublin, 爱尔兰), Tom Stoppard’s “Rosencrantz and Guildenstern are Dead,” Caridad Svich’s “The Breath of Stars” (New Play Initiative, presented at CrisisArt Festival, 阿雷佐, 意大利, 2016), “Memento Mori” (New Play Initiative, in collaboration with West End House School of 艺术, 基拉尼的), John Dryden’s “Marriage à la Mode,” and the musicals “Thoroughly Modern Millie,”“到树林里去,“《全球十大赌钱软件app》。,和“九”.”

His plays have been invited to participate in the regional Kennedy Center American College 剧院 Festival, receiving regional and national honors. Notably, his production of “Memento Mori” earned the Kennedy Center’s Citizen Artist Award.

Dr. Scharnick has presented his work at the annual conferences of the Association for 剧院 in Higher 教育 (ATHE), the Association for Asian Performance (AAP), and at UW-Madison’s Center for Early Modern Studies. He is also a member of Literary Managers and Dramaturgs of the Americas (LMDA) and Christians 在剧院 艺术 (CITA), and is a Stage Directors and Choreographers Society (SDC) Associate. His primary research and production interests include new play dramaturgy, 戏剧与信仰, 恢复剧院, and ensemble and experimental playmaking and performance.

Scharnick has been on staff and directed at Milwaukee’s Acacia 剧院 Company; he has also served as a guest lecturer as part of Milwaukee Chamber 剧院’s ViewPoints series.

His most recent publication is a review of Philip Salim Francis’s book, “When Art Disrupts 宗教: Aesthetic Experience and the Evangelical Mind” in PRS: Performance, 宗教, 和精神.

教授. Scharnick 2014年的论文, “Toward an Eschatology of Restoration 剧院,” is available through ProQuest or through the University of Wisconsin-Madison.

媒体提到:

Snyder: 全球十大赌钱排行app professor discovers ‘an odd blessing’ of COVID-19 theater
Carthage 教授essor Neil Kristian Scharnick finds that even during a pandemic it is still a “blessing” to be working on shows. (出赛的新闻(2020年10月13日)

Learning the stories of NFL cheerleaders, shedding light on lawsuits
教授essor Scharnick writes an op-ed about the world-premiere production of “The Handbook”, a story by Chicago playwright Laura Schellhardt. (出赛的新闻(2019年11月11日)

全球十大赌钱排行app play examines challenges of being NFL cheerleader
教授essor Scharnick and former Miami Dolphins cheerleader Kristin Ann Ware were featured on WISN 12新闻 to discuss “The Handbook”. (WISN 12新闻2019年11月10日)

• Ph.D. ——剧院 & Drama, University of Wisconsin-Madison
• M.A. ——剧院, Northwestern University
• B.A. -宗教、通讯 & Performing 艺术, 全球十大赌钱排行app

• THR 0300 Applied Acting and Directing
• 表演导论
• THR 1150 Introduction to 剧院
• THR 2900播放阅读 & 分析
• THR 3210合奏 & 实验剧院
• THR 3260 History of Pre-Modern 剧院
• THR 3270 History of Classical 剧院
• THR 3280 History of Modern 剧院
• THR 4010 Senior Seminar 在剧院

Citizen Artist Award, Kennedy Center American College 剧院 Festival

针对全球十大赌钱排行app的戏剧:

“Translations” by Brian Friel (2004), “Proof” by David Auburn (2005), “Arms and the Man” by G.B. 萧伯纳(2007), “The Serpent” by Jean-Claude van Itallie (2008), “Thoroughly Modern Millie” by Tesori, 斯坎兰, 莫里斯(2009), “One Day in the Season of Rain” by Mohan Rakesh (2010), “Dead Man’s Cell 电话” by Sarah Ruhl (2010), “几乎, 《全球十大赌钱排行app》，约翰·卡里亚尼著(2011), “A Clamour of Rooks” by Martin Maguire (2013), “Dirty Rotten Scoundrels” by David Yazbek and Jeffrey Lane (2014), “Rosencrantz and Guildenstern are Dead” by Tom Stoppard (2014), “The Breath of Stars” by Caridad Svich (2016), “Marriage a la Mode” by John Dryden (2016), “Into the Woods” by Stephen Sondheim and James Lapine (2018), “Flora the Red Menace” by Thompson, 《全球十大赌钱软件app》(2019), “The Handbook” by Laura Schellhardt (2019), 马特·考克斯的《全球十大赌钱排行app》(2020), 《全球十大赌钱排行app》(Memento Mori, 2022), “Nine” by Maury Yeston and Arthur Kopit (2024), and “Life is a Dream” by Calderón (2025).